Sunday, 29 May 2011

"Nothing too arty, I'm sick of this, I want a party."

The Misanthrope
Wednesday 18th May 2010 at Upper Brown Street, Leicester
Cast
Alceste… Jamie Moore
Jennifer… Rachael Stevens
John… John Kearns
Covington/Courier… Sam Varney
Ellen… Sidra Bramble
Julian… Rajan Kaushal
Alexander… Chadrac Tshibangu
Marcia… Lesley Emery

This performance was one I attended with my family to support my elder sister, who played the female lead Jennifer. I confess to having never heard of the original Misanthrope by Moliere, let alone this "remastering" by Martin Crimp, so had no idea what to expect, save for snippets I had gathered from my sister in rehearsals.


Alceste, the titular Misanthrope of the piece, is a playwright involved in a tempestous relationship with Jennifer, whose debaucherous behaviour is distancing him from her. The backstage politics of the piece are played out over a series of nights between a series of showbiz caricatures, including the witty agent Covington, who seeks to make his break as a writer, the reporter Ellen, willing to lie and cheat for a good story, and Jennifer's dependable agent Alexander. Sounds promising? Well...


Crimp's decision to have the entire piece in verse format serves to alienate his audience, which is unfortunate given the potential this piece has. The cast nontheless give it their all, with entertaining performances particularly from Lesely Emery's grotesque Marcia and Rajan Kaushal's Julian, a teen idol who swaggers his way onto the stage and elicits a laugh without even opening his mouth. The straight roles are handled well, with John Kearns making the most of his limited time as Alceste's friend (also called John), while Jamie Moore's Alceste is suitably vicious, but his delivery occasionally came across as rushed, no doubt another problem caused by Crimp's rhyming scheme. Finally, I can say without fear of sounding biased that my sister handled her leading part very well, despite the verse and her fear of being typecast as prostitues (this is the third time in a row).


In conclusion, perhaps the wrong play to pick for an amateur drama course, but after attending The Misanthrope, I think I can safely say that some of these young people may not be amateurs for much longer...

Sunday, 22 May 2011

An Hour Upon The Stage: "Made entirely of tweed..."

The Match Girls
Cast










Kate … Isabella Hill
Polly … Mirijana Buac
Mrs. Purkiss … Rachel Cockshaw
Old Min … Eloise Clarke
Maggie … Ellie Parker

 








Jessie …Charlotte Parker
Winnie … Jacoba Williams











Dot … Milly Bianchini
Beattie … Katie Williamson
Nell … Hazel Willock
Louie … Olivia Choudhury
Frances … Amelia Eatough
Annie Besant … Sarah Nibloe
George Bernard Shaw/Albert … David Stevens
Pauala Westerby/Lizzie … Nicole Wesley
Scots Girl/Abigail … Karolina Cybulski









 


Foreman Mynel/Tom … Ryan Green








 

Mr. Potter/Harold … Brendan Moore










Joe … Adam Stead
Perce … Mark Wiselka











Bert … Billy Joyce
Lottie … Bethany Sly
May … Shannan Brown
Alice … Chanel Foster
George … Joel Cruden
Arthur … Josh Chalk
Charlie … Jack Macdonald
Freddie … Jack Tudor
Jas … Daniel Creedon

In February of 2008, I made my first appearance in professional theatre, having recently joined the Leicester Little Theatre's Youth Group. Despite having no knowledge of the play prior to performing it, I thoroughly enjoyed the experience.

The piece selected was "The Match Girls" by Bill Owen and Tony Russell, a piece about the strike of 1888, wherein match cutters and dockers mount a strike in order to combat a wage docking made in order to fund a statue of William Gladstone. To continue their strike, they gain the support of influential activist Annie Besant and her accomplice, the young George Bernard Shaw (played by my good self, in a suit made entirely of tweed). As my first experience with full rehearsals, musical numbers and dressing droom etiquette, it was quite intimidating at first, but I conquered my stage fright and by the end of our three performance run, felt ready for three more. Which was just as well, as in just a few weeks my next performance would begin....

Thursday, 19 May 2011

The Archives: "What a piece of work is a man" (Or Time Lord)

Hamlet
8th September 2008, The Courtyard Theatre, Stratford
Cast
Hamlet … David Tennant
Claudius/The Ghost … Patrick Stewart
Gertrude … Penny Downie
Polonius … Oliver Ford-Davies
Laertes … Edward Bennett
Ophelia … Mariah Gale
Reynaldo/Dumbshow Poisoner … David Ajala
Horatio … Peter De Jersey
Rosencrantz … Sam Alexander
Guildenstern … Tom Davey
Marcellus … Keith Osborn
Barnardo … Ewen Cummins
Francisco … Robert Curtis
Player King … John Woodvine
Player Queen … Ryan Gage
Lucianus … Ricky Champ
Prologue … Roderick Smith
Dumbshow King … Samuel Dutton
Dumbshow Queen … Jim Hooper

It was clear from the moment this production was announced that this was going to be a star vehicle. And this production of Hamlet boasted not just one star, but two, and they were no doubt the reason we had to buy tickets almost a full year in advance. And was it worth it? Well...


David Tennant was quite the revelation in the central role, harnesssing the manic energy from Doctor Who to create a Hamlet who convincing both in his brooding over his father's death and his feigned insanity upon the Ghost's revelation, cackling with delight as he led away, tied to a revolving chair. The second 'star', Patrick Stewart, is far more subtle. His villainy, unlike most Shakesperian antagonists, is not evident until right near the close, the jovial uncle persona remaining a convincing mask throughout. Also effective were Oliver Ford-Davies as the bumbling Polonius, Penny Downie as the Queen, and Mariah Gale, surely a rising star as the tragic Ophelia, whose love for Hamlet drives her to suicide. The decision as to where to place the act break was also handled well, a cliff-hanger arising as the first half ends mid soliloquy, Hamlet's dagger poised to stab his praying uncle. The dramatic murder of Polonius is also particularly well handled, Hamlet firing off stage shattering the glass to reveal the eavesdropping old man.
While this production does draw in viewers because of its two stars, they are by no means it's only merits, and so I left Hamlet having thoroughly enjoyed the experience, the Bard's longest play seeming to go by in minutes.